'24' and 20th Century Fox and Sky TV are not responsible for training the U.S. military. It is not our job to do. To me, this is almost as absurd as saying, 'The Sopranos' supports the mafia, and by virtue of that, HBO supports the mafia.'

When we shoot 24, there are so many things I have to worry about, from the script to technical things to my performance, that I don't have a second to be bored or take anything for granted. We produce 24 hours of film a season, which is like making 12 movies.

When Julia and I broke up and I was really scared to go into a market or anywhere because I thought, 'Oh God, everyone must hate me. And that wasn't the case. People said, 'I'm sorry this happened, man. Are you alright?'

I think just in general there’s a bunch of films that mattered to me that didn’t reach their potential, and on some level you have to assume responsibility for that. And I think over the years that gets difficult.

I think one of the things I was most interested in finding out was how differently we approached our work. And my reality was that we didn’t approach it very differently at all, which was funny.

I’ve wanted to work with my father for 30 years, and I’m really grateful that I finally had the opportunity, and it ended up – the experience and, I believe, the film – better than I could ever have hoped for.

I’ve always thought of the western as American storytelling at its best.

Sometimes you have to go through something to find out why you did it!

Most of my career I’ve spent really nervous. Just about work, getting work and having it in.

There are a lot of movies I’d like to throw away. That’s not to say that I went in with that attitude. Any film I ever started, I went in with all the hope and best intentions in the world, but some films just don’t work.